Wednesday, November 28, 2007
the closest thing to magic
Tuesday, November 20, 2007
you can't jump into the same river twice
Zeit.
Indo-Germanic:
dā. "to divide, cut, tear apart"
The "now" that is now, is no longer the same "now" in this very moment,
or:
"You can't jump into the same river twice" (Heraclitus)
The "now" that was once remains unbroken in art,
or:
Heraclitus was not quite right...
(Check for close-up to see the impressive study of fluid in motion...)
Lucia, the saint of light, bathing in intimate chiaroscuro - between seduction and abstinence. Her charms are obvious, in contrast to her attribute, the eyeballs.
The artistic point of view of a professional hunter.
Monday, October 29, 2007
it's there but it's not
Eternal growth: Francesco Zucchi, La Primavera
Eternal death: Matheus Bloem, Still life
Paolo Uccello, The Battle of San Romano. Early study of movement: the body in time and space
So, time doesn't really exist, but it has the power to make us ridiculously wealthy if we happen to walk on the bright side of life. On the other hand it is an unsatiable Big Eater - nothing can withstand it. Pretty impressive for a nonexistent thing, eh?!
Have you ever tried to picture time? I mean T-I-M-E; not a clock or a number, your wrinkles, children growing up, the four seasons, an hour glass or the expiry date on a yogurt. Try it. I bet it won't work. Time ultimately needs space to be grasped by the human mind. Time has to be imagined connected to an event or an object, otherwise it remains an empty formula.
How about the ultimate absence of time? Ever tried to imagine that one: eternity? Or, worse: eternal space? A friend told me that his mother comes close to black-out every time she attempts thinking of the endlessness of the universe. Well, it is a brain twister...
Saturday, October 20, 2007
to whom it may concern...
I'm thinking that I don't like to see chocolate-Santas sold in the middle of October.
I think that I like how the old guitar-playing cowboy in the city looks at me every morning with this knowing smile, without knowing me. I like to smile back.
I think that I should discipline myself to look the beggars in the eye.
I'm thinking about how I live my life: being thrown into the unknown by an astonishing security net, making it more solid every time I fall back. So the trick is the jumping!, I grin and I walk past a ticket shop...
Un ballo in maschera, I'm thinking about me in a black dress, gold, velvet, an orchestra, and then I remember two black and silver masks, the Night, a crazy Frenchman, an asylum, glittery stars and a crazy croud.
Then I think of Victor and Ingmar, who kept me busy one year ago - this year it was Otto... I remember being undetermined whether I should be homesick or not. Approximately one year ago I was cooking a huge pot of pumpkin soup that would change my life.
A potage might be a strange symbol for this past year, but that's just what it has been: warm, rich and very filling. Thanks to all the responsibles, but especially to the one who added the piri-piri.
Friday, October 05, 2007
what's behind it?
I've been thinking for a while now how to write about what I saw and learned at the Documenta 12, a big exhibition of contemporary art in Kassel, Germany. Time to write it down before the memories fade completely...
As usual, I already forgot most of the names and all the "important" stuff. What I remember quite well, though, is a way of thinking, a state of mind and the kind of bliss resulting from heavy intellectual labour...
I remember a group of people under the guidance of an admirable teacher, getting cerebral exercise in onion-peeling; finding layers within layers, within layers, within layers...
I remember being more than relieved to find myself with people and most of them not confusing their dislike of a work with its being art or not.
I remember thinking, rethinking, twisting things, looking at them again and again, feeling - really dissecting them... Asking zillions of questions:
Simple questions, but hey, once you start there's no stopping: What's the artist's object? How is it transferred? Why this way? Why not another? Do you actually understand the accompanying text? [good one!] Where does it come from? Where is it going? References? Memories? Facts? Beliefs? And - in what way can a museum destroy art?
I remember transformative experiences: meeting a work of art, not understanding it, and stepping away an hour later being all enthusiastic. I remember going to bed at night still brooding about something I saw, or heard, or felt, trying to catch it and find out what's behind it...
I also remember tired feet, an ugly city including pretty depressed looking people, a yummy turkish dish (forgot the name again...), cheap beer from plastic (?) bottles and lunch packages made from the hotel's breakfast buffet that fell apart in their paper wrappings after being tossed around for hours in our bags. Oh yes, and long busrides...